It is a common misconception that DIY music productions are necessarily realized without a budget. In fact, their most striking characteristic is that they aim to create unique listening experiences by using the means at hand. 36 minutes with works by Blancmange, Gregory Whitehead, Minus Delta T, People Like Us and others.
Wearing eyeball helmets is the trademark of the Californian artist collective The Residents. Inspired by avantgarde and pop, the band anticipated the idea of audio piracy and developed groundbreaking multimedia projects. 42-minute mix with some of the group’s conceptional thematic compositions and deconstructions of Western popular music.
Equally at home in the art world and the artists’ pub, Ata Tak‘s proprietors managed their label from a nice office in Düsseldorf; in the adjoining music studio, they pursued the idea of a world rebellion with sound – as Der Plan. 32 minutes with Holger Hiller, Minus Delta T, Picky Picnic, Wirtschaftswunder and others.
The stoic, almost machine like drumming of many West-German tunes from the early Seventies became the hallmark of a new sound – different from British pop or American rock, and in no way related to the country's horrible Nazi past. 45 minutes with Cluster, Faust, Harmonia 76, Wolfgang Riechmann and others.
Yellow Magic Orchestra’s concept of connecting pop, dance music, and Far Eastern folklore quickly became synonymous with technopop in Japan. The band’s members also occured in each others solo recordings and cooperated with other musicians. 49 minutes with Apogee & Perigee, Friends Of Earth, Miharu Koshi, Ryuichi Sakamoto & The Kakutougi Session and others.
Fuelled by collaborations between producers, singers, and studio musicians in ever new constellations, the Seventies mark the transition from ska and rocksteady into a multitude of styles in Jamaica. 46 minutes with Keith Hudson, Norma White & Brentford Disco Set, Sound Dimension, Susan Cadogan and others.