Future Japan – Technopop (1979-86)
- Tagged as: Apogee & Perigee, Dolette McDonald, Friends Of Earth, Haruomi Hosono, Imitation, James Brown, Japan, Jun Togawa, Keiichi Suzuki, Maceo Parker, Masumi Hara, Miharu Koshi, Non-Standard, Ryuichi Sakamoto, Steve Scales, technopop, Testpattern, The Beatniks, The Kakutougi Session, wave, Yasuaki Shimizu, Yellow Magic Orchestra, Yen Records, Yukihiro Takahashi
Yellow Magic Orchestra’s concept of connecting pop, dance music, and Far Eastern folklore quickly becomes synonymous with technopop in Japan. The band’s members also occur in each others solo recordings and cooperate with other musicians. 49 minutes with Apogee & Perigee, Friends Of Earth, Miharu Koshi, Ryuichi Sakamoto & The Kakutougi Session and others.
Aware of musical traditions and eager to incorporate the latest technology in his productions, Haruomi Hosono is one of the most versatile and influential figures in Japanese popular culture. 44 minutes with various collaborations and solo works by the co-founder of Yellow Magic Orchestra.
Free of artificial ornamentation, well balanced, and designed with love for detail, some Eighties’ Japanese ambient music resembles the concept of the countries’ traditional gardens. 51 minutes of music striving to enhance environments – with works by Haruomi Hosono, Inoyama Land, Masahiro Sugaya, Yasuaki Shimizu and others.
During the Seventies, musical traditions are being rediscovered in Japan. By blending them with their own preferences, artists create new sound worlds. 46 minutes with Akio Suzuki, Haruomi Hosono, Jun Togawa Unit, Toshi Ichiyanagi and others.