Latest Articles

Fluxus Is… (1959-2014)

As a loose community of interdisciplinary contributors, the Fluxus artists of the 1960s questioned the role of art in society. 47 minutes with Carolee Schneemann, Henning Christiansen, Terry Riley, Yoko Ono and others.

We Are the Machine – The Concept of Polypoetry

Only the development of new technologies will mark the progress of sound poetry, explains Enzo Minarelli in his 1987 manifesto on polipoesia. Using eleven sound poems, Minarelli discusses the concept of polipoesia, folklore as inspiration for poetry, the connection between society and poetry, and how it all began.

Enhanced Poetry (1956-1991)

With the advent of the tape recorder, poetry reached a new dimension in the 1950s. Language was arranged in completely new ways. 37 minutes with Ernst Jandl, Henri Chopin, Neil Mills, Sten Hanson, and others.

Synthesis – Approaching a New Instrument

Synthesizers brought new sounds into the world. 43 minutes of oscillators, filters and envelopes controlled by Conrad Schnitzler, Daphne Oram, Erkki Kurenniemi, Laurie Spiegel and others – between the early 1960s and 1977 (plus an exception).

Ten Magic Pianos (1912-2017)

For some, the piano is the instrument of instruments. Here are ten good reasons why. 40 minutes with works by Charlemagne Palestine, Graeme Revell, Henry Cowell, Johanna Magdalena Beyer and others.