The translation of auditory impressions into soundscapes, composed of overlapping layers of sustained instrumental sounds, can evoke a sense of divine equilibrium in the listener. 92 minutes with Catherine Christer Hennix, Ensemble Zeitkratzer, Phill Niblock and Wieland Samolak.
C.C. Hennix has been involved with trance-like states for decades. The Swedish-born artist uses sound as a psychotropic guide to heighten the audience's receptivity and transport them into an immersive experience. Sound, environment and the self merge together, conveying a sense of being in touch with infinity.
In the media age, imagination has come under attack. However, the interface between the unknown and the self needs to be triggered as a source of inspiration for art and research. 96 minutes with Brother Ah, Catherine Christer Hennix, Ursula K. Le Guin and Todd Barton.
In the late 1960s, women composers began mixing different types of sound material. Their concept of intermedia art often had a connection to human life. 88 minutes with Christina Kubisch, Eliane Radigue, Frankie Mann, Ruth Anderson and others.
