The stoic, almost machine like drumming of so many West-German tunes from the early seventies becomes the trademark of a new sound – different from British pop or American rock, and in no way related to the country's horrible nazi past. 45 minutes with Cluster, Faust, Harmonia 76, La Düsseldorf, and others.
After years of increasing harshness on the dancefloor culminating in Gabber, round 1992 the time has come for exploring more friendly grounds. 55 minutes from the advent of personal computers and the internet for everyone – with tracks by Acid Jesus, The Black Dog, Cylob, Like A Tim, and others.
Sounds Central — Listen w/ Care
Fuelled by collaborations between producers, singers, and studio musicians in ever new constellations, the seventies mark the transition from ska and rocksteady into a multitude of styles in Jamaica. 46 minutes with Keith Hudson, Norma White & Brentford Disco Set, Sound Dimension, Susan Cadogan, and others.
Known for his innovative studio techniques, unique production style, and weird tunes, Lee "Scratch" Perry combines influences from soul, funk, reggae, and dub in the early and mid seventies. 46-minute mix with 14 tracks from the Perry orbit.
Whether conceptual or performance art, electronic music, counterculture, minimalism, drone sounds, or Fluxus – New York City is a hotbed for all sorts of experiments during the sixties. 62 minutes with Angus MacLise, Henry Flynt, La Monte Young & Marian Zazeela, Richard Maxfield, and others.
“The ecological catastrophe begins rehearsing in the sixties”, writes Allen Ginsberg in 1970; and for more than half a century, political systems are unwilling to fight that development. 45 minutes with sounds of protest – uttered by Appleblim, Diane Di Prima, Leslie Winer, Piero Umiliani, and others.
The electrification of music during the 1950s leads to a multitude of artistic concepts. 50 minutes of fieldwork and funny sounds with Alireza Mashayekhi, Delia Derbyshire, Else Marie Pade, İlhan Mimaroğlu, and others.
Synthesizers brought new sounds into the world. 43 minutes of oscillators, filters and envelopes controlled by Conrad Schnitzler, Daphne Oram, Erkki Kurenniemi, Laurie Spiegel, and others – between the early sixties and 1977 (plus an exception).
Ten pieces about the mysteries, realities, and prospects of airwaves. 30-minute mix with works by The Android Sisters, Dan Lander, Negativland, Phil Harmonic, and others.
Relics tell stories, take listeners on acoustic journeys, or document situations. They can be poems, studio productions, field recordings, or something completely different. 53-minute mix representing Paul Paulun's series Fundstück on DLF-Kultur with pieces by Anne Waldman, Helga Goetze, Mark E. Smith, Timothy Leary, and 26 other artists.
Compiling a varied and dense collection of artistic concepts, the subscription only tape label Tellus documents New York’s expansive art scene. 29 minutes with Cardboard Air Band, Gretchen Bender, Liquid Liquid, Remko Scha, and others.
Forming a loose community of interdisciplinary collaborators, Fluxus artists are rethinking the role of art in society during the sixties. 47 minutes with Carolee Schneemann, Henning Christiansen, Terry Riley, Yoko Ono, and others.
Despite their gentle and surreal nature, these tracks weren’t necessarily made with the idea of sleep in mind; their dark ambient textures, however, are inspired by memories, sounds, or discoveries. 51 minutes with Brian Eno, David Toop, Monolake, Thomas Köner, and others.
With his label Obscure, pop star Brian Eno starts a series with experimental listening music in 1975. The artists involved want to leave their previous approaches towards making music behind, work with new technologies or take inspiration from ancient traditions. 71 minutes with Gavin Bryars, Harold Budd, Max Eastley, Michael Nyman, and others.