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Proper Krauts (1971-78)

The stoic, almost machine-like drumming of many West German music from the early 1970s became the trademark of a new sound – different from British pop or American rock and in no way related to the country's horrible Nazi past. 45 minutes with Cluster, Faust, Harmonia 76, Wolfgang Riechmann and others.

Future Japan – Technopop (1979-86)

Yellow Magic Orchestra's concept of combining pop, dance music and Far Eastern folklore quickly became synonymous with technopop in Japan. The band members also contributed to each other's solo recordings and collaborated with other musicians. 49 minutes with Apogee & Perigee, Friends Of Earth, Miharu Koshi, Ryuichi Sakamoto & The Kakutougi Session and others.

Perplex – Electronic Mood Music (1990-97)

After years of increasing intensity on the dance floor, culminating in gabber, around 1992 it was time for friendlier climes. Fifty-five minutes from the advent of personal computers and the internet for everyone – with Acid Jesus, The Black Dog, Cylob, Like A Tim and others.

Reggae? – Some Seventies Soul Fire

Driven by collaborations between producers, singers, and studio musicians in ever-changing constellations, the 1970s mark the transition from ska and rocksteady to a multitude of styles in Jamaica. 46 minutes with Keith Hudson, Norma White & Brentford Disco Set, Sound Dimension, Susan Cadogan and others.

More Poetry of DIY – Using the Means at Hand (1967-2011)

It is a common misconception that DIY music productions are necessarily made without a budget. In fact, their most striking feature is that they aim to create unique listening experiences with the resources available. 36 minutes with works by Blancmange, Gregory Whitehead, Minus Delta T, People Like Us and others.

Reggae From Scratch – Lee Perry (1968-78)

Known for his innovative studio techniques, unique production style and weird tunes, Lee ‘Scratch’ Perry combined influences from soul, funk, reggae and dub in the early and mid-1970s. 46-minute mix with 14 tracks from the Perry orbit.

A Dandy From Heaven – Haruomi Hosono (1975-95)

Aware of musical traditions and eager to incorporate the latest technology in his productions, Haruomi Hosono is one of the most versatile and influential figures in Japanese popular culture. 44 minutes with various collaborations and solo works by the co-founder of Yellow Magic Orchestra.

Filed Recordings – Miking the World (1958-2018)

“Listen to your world. It may be more interesting than all the things you buy to escape from it.” 46-minute mix that proves Sasha Frere-Jones’ observation from 1999 right – with field-recordings by Alejandra & Aeron, Bill Fontana, Chris Watson, Paul Bowles and others.

Ambient Japan (1981-2004)

Free of artificial embellishments, well balanced, and designed with attention to detail, some Eighties' Japanese ambient music resembles the concept of the countries' traditional gardens. 51 minutes of music striving to enhance environments – with Haruomi Hosono, Inoyama Land, Masahiro Sugaya, Yasuaki Shimizu and others.

The White Room (3): Misty

Paying homage to flying machines and next generation’s minimalism, singing in an invented language that is both mysterious and familiar, and a special kind of rain. 43-minute mix with pieces by Anna Homler and Steve Moshier, Ennio Morricone, Harold Budd, The Human League and others – made between 1972 and 2011.

The White Room (2): En Route

Re-configuring the past, drifting into the future, connecting different worlds, and shaping the profile of a fictitious ethnic group. 43 minutes with music by Bill Drummond, Dadang Dwi Septiyan, Jon Hassell, Malayeen and others - recorded between 1971 and 2020.

Sekt oder Karies – West Germany in the Eighties

Thanks to a straightforwardness rooted in punk, new things and personalities get invented everywhere and at any time in the West-German music scene of the 1980s. 53 minutes with Freiwillige Selbstkontrolle, Ingrid Wiener & Chor, Martin Kippenberger, Santrra and others.

Shaping Intermedia Art – Avantgarde Women (1968-85)

In the late 1960s, women composers began mixing different types of sound material. Their concept of intermedia art often had a connection to human life. 88 minutes with Christina Kubisch, Eliane Radigue, Frankie Mann, Ruth Anderson and others.

Ray-Dee-Oh (1960-2004)

Ten pieces about the mysteries, realities and prospects of airwaves. 30-minute mix with works by The Android Sisters, Dan Lander, Negativland, Phil Harmonic and others.