Ideas about the concept of time, music for a skier’s descent from an impressive mountain top, sounds from a love and peace duo, and such related to a studio in Munich.

49 minutes with music by Phew, Pikacyu★Makoto, Suzanne Ciani, Tuxedomoon and others – realized between 1962 and 2021.

Featured cover art: Tuxedomoon – Half-Mute


Ambient Channel (1): Perpetual Drift

Minimal melodies from Japan and Arctic Norway, music for ex army gymnasts bounding about in rubber costumes, and something from New York City‘s Downtown. 55 minutes with works by Aqua Regia, The Caretaker, Midori Takada, The Residents and others – realized between 1969 and 2019.

“Blue” Gene Tyranny – Dreamtime: Blue Moon Rye

final part of the composer’s synth trilogy reflecting the Aboriginal concept of Dreamtime – a beginning that never ends, or: a continuum of past, present and future (1986, Unseen Worlds)

Phew – Snow and Pollen

focussing on her perception of time, Seventies punk icon and Aunt Sally front woman Hiromi Moritani aka Phew isn’t able to see a future that extends from the present (2021, Mute)

Pierre Henry – Générique

Myriam’s theme from the soundtrack for the French film Maléfices, a thriller spiced up with black magic (1962, Philips / RE: Finders Keepers Records)

Tuxedomoon – James Whale

minimal and atmospheric interlude from the electronic-oriented collective’s debut LP Half-Mute; released on The Residents’ label Ralph Records, it was establishing their worldwide cult status (1980, Ralph Records)

Johann Johannsson – Souvenir

from an anthology of cover versions released as a box set of ten 7” records; the artists invited were free to choose a song of personal significance to them (2008, Fractured Recordings)

Suzanne Ciani – Yukon

music with Buchla synthesizer and piano for a documentary film illustrating the first-ever skiers’ decent from the world’s third most prominent mountain – Denali in Alaska (1973, Finders Keepers Records)

Roedelius – Am Stadtrand

recorded in his adopted country Austria, Hans-Joachim Roedelius is on the cusp of something new with his second post-Cluster release (1982, Schallter / RE: Bureau B)

Faust – Fernlicht

experienced in what a band can achieve in recording situations, Faust spend time with Giorgio Moroder in his Munich-based Musicland Studios; the results, however, remain unreleased for years (1974, Bureau B)

Patrick Cowley – Seven Sacred Pools

San Francisco’s Patrick Cowley is known for his 1982 proto-house remix of Donna Summer’s I Feel Love – initially produced by Giorgio Moroder at Musicland Studios; he, however, also licensed music to gay porn films like Muscle Up (Fox Studio) (1980, Dark Entries)

Pikacyu★Makoto – AWA no UTA

four years after forming a love and peace duo, Afrirampo’s Pika and Acid Mother’s Temple leader Makoto Kawabata create outer cosmic hymns to love and inner cosmic odes (2011, Riot Season)

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