The translation of auditory impressions into soundscapes, composed of overlapping layers of sustained instrumental sounds, can evoke a sense of divine equilibrium in the listener. 92 minutes with Catherine Christer Hennix, Ensemble Zeitkratzer, Phill Niblock and Wieland Samolak.
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In a way, Sounds Central’s approach to presenting music resembles the ideas of medieval European cartographers. Their mappae mundi did not claim to depict the world accurately, but rather sought to address topics that fascinated them, such as biblical stories, mythology or specific knowledge. As a DJ, Paul Paulun’s way of addressing musical phenomena is the mix. Mappa mundi with Noah’s ark and his sons (detail) by Simon Marmion (1459-1463) Accompanied by introductory texts and brief...
Having discovered space as a tangible medium, English performance artist Peter Dockley developed a multimedia theatre piece in 1969. Gymnasts, kendo fighters and dancers create a dynamic energy zone full of colours, light and excitement. The soundtrack, recorded by Canterbury rock band Soft Machine, was inspired by techniques of musique concrète, laying the foundation for experimental industrial ambient music.
In India, the connection between the universe and sound has long been recognised and is emphasised in Dhrupad singing, the oldest known style of classical Hindustani music. Italian-born singer Amelia Cuni was so fascinated by this concept that she travelled to India in 1978 to learn the technique herself, studying with renowned masters for ten years.
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Layout H (half)
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The translation of auditory impressions into soundscapes, composed of overlapping layers of sustained instrumental sounds, can evoke a sense of divine equilibrium in the listener. 92 minutes with Catherine Christer Hennix, Ensemble Zeitkratzer, Phill Niblock and Wieland Samolak.
In a way, Sounds Central’s approach to presenting music resembles the ideas of medieval European cartographers. Their mappae mundi did not claim to depict the world accurately, but rather sought to address topics that fascinated them, such as biblical stories, mythology or specific knowledge. As a DJ, Paul Paulun’s way of addressing musical phenomena is the mix. Mappa mundi with Noah’s ark and his sons (detail) by Simon Marmion (1459-1463) Accompanied by introductory texts and brief...
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The translation of auditory impressions into soundscapes, composed of overlapping layers of sustained instrumental sounds, can evoke a sense of divine equilibrium in the listener. 92 minutes with Catherine Christer Hennix, Ensemble Zeitkratzer, Phill Niblock and Wieland Samolak.
In a way, Sounds Central’s approach to presenting music resembles the ideas of medieval European cartographers. Their mappae mundi did not claim to depict the world accurately, but rather sought to address topics that fascinated them, such as biblical stories, mythology or specific knowledge. As a DJ, Paul Paulun’s way of addressing musical phenomena is the mix. Mappa mundi with Noah’s ark and his sons (detail) by Simon Marmion (1459-1463) Accompanied by introductory texts and brief...
Having discovered space as a tangible medium, English performance artist Peter Dockley developed a multimedia theatre piece in 1969. Gymnasts, kendo fighters and dancers create a dynamic energy zone full of colours, light and excitement. The soundtrack, recorded by Canterbury rock band Soft Machine, was inspired by techniques of musique concrète, laying the foundation for experimental industrial ambient music.
In India, the connection between the universe and sound has long been recognised and is emphasised in Dhrupad singing, the oldest known style of classical Hindustani music. Italian-born singer Amelia Cuni was so fascinated by this concept that she travelled to India in 1978 to learn the technique herself, studying with renowned masters for ten years.