In fantasy and science fiction novels, American author Ursula K. Le Guin has created futuristic scenarios – often linked to Native American motifs. Always Coming Home, published in 1985, describes the life of the fictional Kesh people. To make their world audible, Le Guin recorded several songs with composer Todd Barton.
Mystery and poetry come together in the works of Guy de Cointet. The visual artist understood language as a system in its own right – and he deconstructed it. Dutch voice artist Jaap Blonk, active himself at the intersection of music, poetry and performance, interpreted Cointet's work ‘Nonomotithur’ in 1997.
The sausage products of German immigrant Oscar Mayer are popular in the United States – thanks to clever marketing and a catchy promotional song. In 2003, the Evolution Control Committee from Ohio, known for its crude appropriations, recognised the lyrics as a godsend and mixed them with the national anthem.
John Oswald established the concept of plunderphonics – the “stealing” of sounds for the sake of art. Here, the Canadian composer transforms a kitschy Christmas song into an absurd cartoon for the ears.
Charles Kellogg had already developed the ability to communicate with birds in their own language between the ages of four and six. In 1891, at the age of 23, the naturalist who grew up in the wilderness of the Sierra Nevada brought his talent to the stage.
When the blind street musician Moondog roamed New York City in the early 1950s, he must have chosen the places where he laid out his instruments on the pavement with his ears. Sometimes it seems as if the sounds of the city were just waiting for him.
