During long, collective improvisations in the studio, Cologne-based Krautrock pioneers Can repeatedly ventured into the territory of other cultures. Between 1968 and 1974, the band collected such excursions in the ‘Ethnological Forgery Series’.
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#206: Ghédalia Tazartès – Tazartès’ Transports
There is something mysterious about Ghédalia Tazartès' works, which often evoke shamanistic rituals. The French artist began experimenting in his Paris studio in 1977 with field recordings, tape loops, vocals and electronics. Time and again, he slipped into the role of strong-willed characters.
#239: Aunt Sally – Hi Ga Kuchite
After seeing the Sex Pistols on Japanese television, Hiromi Moritani flew to London for a few weeks in 1976. Back in Osaka, and still under the impression of her experiences in the punk metropolis, the 17-year-old formed her own band, Aunt Sally.
#209: Gulfa-e-Ghani and Zareef – Train Rhythm Imitation
There were no flowers in the desert, but the scent of melodies hung in the air everywhere, recalls Deben Bhattacharya. In 1955, the music collector travelled from Paris to Kolkata, India, in a converted milk truck. On board: a tape recorder with which Bhattacharya recorded music along the way.
#116: Gerard Malanga And Ingrid Superstar – Gossip
Crowdfunding without the internet – in New York, this was done in 1966 with a record. The proceeds went to the newly founded counterculture magazine ‘The East Village Other’. A who's who of pop culture gathered for the recording on 6 August. The date not only marked the 21st anniversary of the bombing of Hiroshima.
#140: Team of Jeremy Roht, West Dawson, Yukon-Territory – Untitled Track 4
Charles Darwin believed that even human ancestors made musical sounds long before they could speak. Animals are still limited to this form of vocal expression today. During a visit to the Yukon in Canada, artist and cyberneticist Oswald Wiener noticed that sled dogs prefer to do this without an audience.