In a way, Sounds Central’s approach to presenting music resembles the ideas of medieval European cartographers. Their mappae mundi did not claim to depict the world accurately, but rather sought to address topics that fascinated them, such as biblical stories, mythology or specific knowledge. As a DJ, Paul Paulun’s way of addressing musical phenomena is the mix.
Accompanied by introductory texts and brief notes on each track, Sounds Central’s concise mixes focus on artists, labels and moments in experimental music: What happened in New York City in the 1960s? How did music evolve in Jamaica after doo-wop found its way from the United States to the island in the late 1950s? And what about the numerous forms of ambient music?
Through audio essays, Sounds Central explores topics such as Western musicians’ interest in tabla drums, the nature of war, and the climate crisis, which, as Diane di Prima’s Revolutionary Letter #16 shows, was already an issue in the 1960s.
A Personal History of Music and Sound Art
Sounds Central also offers series such as Wild Thyme Music, featuring spiritual avantgarde compositions, and The White Room, with minimalist, cinematic or ethereal productions. They reassemble music history from a pool of different contexts and eras – in keeping with the rhizomatic nature of their respective themes.
Paul Paulun has been active as a music performer and presenter in a variety of fields for four decades. Between 2015 and 2024, he has been taking listeners of the cultural magazine Kompressor on Deutschlandfunk-Kultur on acoustic journeys. The 260 episodes of his series Fundstück (relic) feature radiophonic miniatures that are works of sound art, field recordings, animal music, poetry, or something else.
With Sounds Central, Paulun tells a personal history of music and sound art. It is based on more than 10,000 releases that he has organised in a digital archive since the beginning of the terabyte age in 2012. In 2021, Paulun received a research grant from the Berlin Senate Department for Culture and Europe for curatorial development in the visual arts for Sounds Central.
With a grant from the German Musikfonds e.V., he developed an experimental approach to coping with misophonia in 2022. This is based on his own experiences with both conscious listening and as someone affected by misophonia.
Recent activities
Sounds Central’s Wild Thyme Music (1) is played as part of the Mindful Social Listening project at the Centre For Ethnomusicology/University of Alberta. The MSL series explores how soundscapes can improve student wellbeing and academic success. (January 2024)
Draped in Orange – Balancing Word and Sound in Poetry
Lecture at Muthesius Kunsthochschule/Kiel (February 2023)
As of October 2022, Paul Paulun is exploring the concept of 21st century chill-out with the bi-monthly show Headroom on Athens based Stegi Radio. The international online radio station’s program is produced by Onassis Stegi.
Paul Paulun will contribute to Reina Sofía’s radio station RRS. Madrid‘s museum of contemporary and 20th-century art has reorganized its permanent collection to offer narratives and experiences from feminist, decolonial and ecological viewpoints.
Sounds Central showcases a DJ-set at Meakusma Festival in Eupen (Belgium) in September 2022.
With the support of a grant from Musikfonds e.V. for summer and fall 2022, Paul Paulun is investigating some circumstances of his misophonia and developing a workshop program to practise conscious listening. The aim is to find out whether such a listening mode is helpful in reacting more calmly when being triggered by misophonia.
Launched in February 2022, Belgian radio station Studio Néau broadcasts a selection of mixes from Sounds Central.
From September until December 2021, Sounds Central is supported with a research grant for curatorial development in the visual arts by Berlin’s Senate Department for Culture and Europe.
Better than algorithms. DJ and radio journalist Paul Paulun compiles handpicked experimental music collections. Read the article (February 2021)
On the occasion of his 200th episode with radiophonic miniatures, Paul Paulun talks about sonic archeology, which sort of sound art works for the series, and the connection between such relics (Fundstücke) and his speaking archive Sounds Central.
Talk with Massimo Maio, host of DLF-Kultur‘s magazine for pop culture Kompressor (February 2021)
From November 2020 until April 2021, Sounds Central is supported with a grant from Musikfonds e.V.
Introducing the speaking archive at Leipzig’s Seanaps Festival in October 2020 (Paul Paulun being interviewed by Tina Klatte and Maximilian Glass).
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