Trance is an important aspect in Angus MacLise’s sound works. The drummer, composer, poet and calligrapher was a link between Beat culture, New York City’s art scene in the Sixties, and the hippies. 78 minutes with material by an originator who never released a record during his short life.
Terrain: [spot] #USA
Since the 1950s, people active in the fields of visual arts, poetry, performance and music have been addressing the situation in the so-called melting pot in their works.
New York in the Sixties – A Hotbed for Experiments
Whether conceptual or performance art, electronic music, counterculture, minimalism, drone sounds or Fluxus – New York City is a hotbed for all sorts of experiments during the Sixties. 62 minutes with Angus MacLise, Henry Flynt, La Monte Young & Marian Zazeela, Richard Maxfield and others.
No Way Out – No Wave Years in NYC (1978-84)
Most artists involved in what critics called no wave in 1978 shared a nihilistic mindset as they explored realms ranging from abrasive noise to mutant disco in New York City. 44-minute mix featuring tracks by Boris Policeband, Bush Tetras, Jill Kroesen, Konk and others.
Tellus – New York City’s Art Scene on Tape (1983-90)
When sound became portable with the Walkman in the early Eighties, the subscription-only Tellus Audio Cassette Magazine began to feature New York City’s expansive Downtown art scene on tape. 41-minute mix with Gretchen Bender, Jonathan Borofsky, Live Skull, Marjorie Van Halteren and others.
No Wave Time Warp
When no wave emerged in New York City in the late 1970s, noise musician, art critic and artist Joseph Nechvatal was already there. Drawing on music of the time, he and Paul Paulun discuss aspects of the movement that opposed the commodification of music and art with radical, often multimedia works.
Love The Residents (1971-2002)
Wearing eyeball helmets is the trademark of the Californian artist collective The Residents. Inspired by avantgarde and pop, the band anticipated the idea of audio piracy and developed groundbreaking multimedia projects. A 42-minute mix featuring some of the group's conceptual thematic compositions and deconstructions of Western pop music.
Hello, USA! – Observations From the Land of the Free (1966-2002)
Snapshots of national pride, cars, country music and the human abyss behind respectable facades – 51 minutes with Amiri Baraka, Ann Magnuson, Henry Rollins, Madeline Ridley and others.
