After World War II, the Japanese lifestyle became heavily influenced by Western technology and culture. Fascinated by what came along from an exotic outside, many musicians were simply reproducing what was new to them.
During the Seventies, however, artists are rediscovering Japanese music traditions. By blending aspects of those with their own preferences, something truly new evolves.
46-minute mix with works by Akio Suzuki, Haruomi Hosono, Jun Togawa Unit, Toshi Ichiyanagi and others.
Featured cover art: Osamu Kitajima – Benzaiten
Listen also to
A Dandy From Heaven – Haruomi Hosono (1975-95)
Playlist ‘A Few Things From Japan’
Akio Suzuki – Taka No
cosmic eternity as background for traditional Japanese flute sounds (2000, and/OAR)
Toshi Ichiyanagi – Electric Chant
the second scene of Toshi Ichiyanagi’s opera From The Works Of Tadanori Yokoo, dedicated to the artist’s poster art depicting aspects of Japanese culture; here, electronic sounds are used as backdrop for praising the Tenno (1969, Bridge)
Eitetsu Hayashi – Cosmos
Japan’s national instrument koto being played along with the Korean gayageum and a piano (1983, Victor)
Geinoh Yamashirogumi – Doll’s Polyphony
from the soundtrack to the animated post-apocalyptic cyberpunk film Akira (1988, Invitation)
Osamu Kitajima – Benzaiten: God Of Music And Water (Reprise)
melding ancient Japanese instruments with Seventies prog (1976, Island)
Haruomi Hosono – Down To The Earth
music for ballet, putting traditional Japanese drums into an electronic context (1984, Monad Records)
Jun Togawa Unit – Umi Yakara
Okinawan folk song (1985, Yen Records)
Noizunzuri – Figure & Ground
traditional folk song, avant-rock style (1985, Telegraph Records)
Ryuichi Sakamoto – Das neue japanische elektronische Volkslied
the new Japanese electronic folk song (1978, Better Days)