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Contents

Series
Terrain
- Ambient
- Avantgarde
- Pop
Topic
- (Fourth) World
- Art
- Early Electronics
- Germany
- Jamaica
- Japan
- Misophonia
- Music by Women
- USA
Var. Intensity Levels

A Happening

Allen Ginsberg Angus MacLise BBC Radiophonic Workshop Brian Eno Can Chris Watson Conrad Schnitzler Daphne Oram Demetrio Stratos DIY Enzo Minarelli Faust Geir Jenssen Graeme Revell Gregory Whitehead Haruomi Hosono Henri Chopin Henry Flynt Holger Hiller Jack Smith Japan John Cage John Cale Jun Togawa Kraftwerk La Monte Young Laurie Spiegel Misophonia Paul Bowles Paul de Vree People Like Us Poetry Polypoetry R. Murray Schafer Ryuichi Sakamoto Soliman Gamil Soundscape Suzanne Ciani Tellus The Residents Timothy Leary Tony Conrad William S. Burroughs Yasuaki Shimizu Yellow Magic Orchestra

MISOPHONIA

Listening with Misophonia

Workshop based on conscious listening strategies as propagated by Pauline Oliveros and R. Murray Schafer. In order to cope with the disorder in constructive and active ways, it introduces new perspectives on listening and encourages practising.

Sounds Central

From the futurists to hyperdub, musical ideas have constantly evolved. Sounds Central explores this vast area of experiments with audio essays, series, and thematic mixes from a pool of over 10,000 releases.

The selection doesn’t strive to be canonical, it rather comes from being a DJ who dislikes clichés and genres, but is fond of moving on the time line.

Listening with Misophonia

In 2021, I learned that I’m suffering from misophonia, a disorder that typically begins in childhood and that’s characterized by painful reactions towards certain sounds.

Knowing about my misophonia, however, I’m able to react more relaxed in some trigger situations. This ability could be due to having internalized forms of conscious listening as propagated by composers like Pauline Oliveros and R. Murray Schafer.

With a grant from Berlin based Musikfonds e.V., I developed an experimental approach to coping with the disorder.

More info in the Misophonia section.

Pay Paul

Sounds Central is your reliable spot for seminal experiments in sound. With a monthly subscription of €3.99 via Mixcloud, the archive is all yours!

Mixcloud is the first hosting provider to create an infrastructure that allows DJs to legally present music online.

65% of your subscription fee go to artists featured on Sounds Central
18% are for music presenters like myself
12% stay with Mixcloud
5% are for fees

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